By Rebecca Kukla

ISBN-10: 0521862019

ISBN-13: 9780521862011

This 2006 quantity explores the connection among Kant's aesthetic idea and his serious epistemology as articulated within the Critique of natural cause and the Critique of the facility of Judgment. The essays, written specifically for this quantity, discover middle parts of Kant's epistemology, similar to his notions of discursive realizing, event, and goal judgment. in addition they exhibit a wealthy grab of Kant's severe epistemology that permits a deeper knowing of his aesthetics. jointly, the essays show that Kant's serious undertaking, and the dialectics of aesthetics and cognition inside it, remains to be proper to modern debates in epistemology, philosophy of brain, and the character of expertise and objectivity. The publication additionally yields very important classes in regards to the ineliminable, but tricky position of mind's eye, sensibility and aesthetic event in belief and cognition.

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Extra resources for Aesthetics and cognition in Kant's critical philosophy

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Rather, I demand that they share my feeling of pleasure in the object. Indeed, I do not think that my judgment should count as Introduction 27 a judgment of taste unless I believe everyone ought to agree with me. And if I do make such a claim and others disagree with me, I don’t merely feel a difference between us, but alienated from an important aspect of humanity, namely, a shared sensibility. Part II opens with a dialogue between Paul Guyer and Henry Allison concerning Allison’s reading of the cognitive and normative structure of judgments of taste in Kant’s Theory of Taste (2001).

According to Allison, this contingency is “endemic to our discursive understanding” (2001, 48). Remember, after all, that a driving motivation behind the Copernican turn, and the critical project more generally, was to avoid letting the possibility of discursive empirical cognition be a contingent gift from the sensible world. Kant himself raises a serious problem concerning what origin the principles that guide the imagination in its activity could possibly have and how these principles could be legitimate.

14 Rebecca Kukla objective shared world, aesthetic judgments cannot have the same kind of accountability because they make no objective claims – they do not apply concepts to objects. But if they are to be anything more than arbitrary subjective pleasures, they need some other tribunal of accountability, and the common aesthetic sense of the human community, presupposed by each judgment of taste, serves as this tribunal. Pure aesthetic judgments are not objectively valid, but they strive for subjective universal validity.

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Aesthetics and cognition in Kant's critical philosophy by Rebecca Kukla


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